Longtime reader Sarah asked in the comments on my post about Edith Pearlman if I could share my thoughts on how I skate the inevitable line of doing work for work sake and doing work to be seen. To which I say:
Oh boy–how much time do you have?
Every artist I know struggles with this dynamic–don’t you? Isn’t this at the very core of wanting a life in the arts? You have something to say and don’t you want someone to hear it/see it? This seems like a very simple idea, though we know it is not. The minute someone DOES hear/see/notice your work is when things get really FUNKY.
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